Cathedral by Raymond Carver

In Cathedral by Raymond Carver we have the theme of jealousy, insecurity, isolation, detachment and connection. Taken from his collection of the same name the story is narrated in the first person by an unnamed man and from the beginning of the story the reader realises how detached the narrator is. Not only is he displeased with the fact that Robert is visiting but the reader also senses that in some ways the narrator is also jealous of the connection that his wife has with Robert. If anything the narrator views Robert’s visit as an inconvenience. The narrator also appears to have a very limited viewpoint on blindness. This is ironic as later in the story it will be through Robert’s guidance that the narrator begins to see things in a fresh light or as some critics might suggest, it is at the end of the story that the narrator finally opens his eyes to the world around him. For the first time he is seeing, rather than looking.

Just as the narrator is jealous of his wife’s connection or relationship with Robert, the reader also suspects that he is also jealous of his wife’s first husband. It is interesting, that though he has the opportunity to tell the reader the first husband’s name, he never does. It is possible that the narrator remains insecure about his wife’s first husband, just as he is insecure about her relationship with Robert. The narrator’s insecurity regards Robert is also noticeable through his refusal to listen to one of Robert’s tapes which makes mention of the narrator. It is as if the narrator prefers to be ignorant of what Robert might think of him, rather than hearing something that he may dislike. Again this could suggest a detachment from others.

The strong bond or connection that the narrator’s wife has with Robert is noticeable by her continued sending of tapes to Robert, updating him about her life. Also Robert appears to have left an impression on the narrator’s wife. This is noticeable by the fact that she had previously attempted to write a poem about the incident of Robert touching her face. Robert’s touching of the narrator’s face may also be symbolic as it suggests the connection of two people. It may also be significant that the audiotapes that Robert and the narrator’s wife send each other involve sound and not sight. Even with his inability to see, Robert can still connect, or show empathy for the narrator’s wife and she can also empathize with Robert.

It is also interesting that the narrator appears to long for a similar connection with his wife. As he is sitting listening to his wife talk to Robert, he waits, expecting to hear his name being mentioned, however it never is. In some ways the narrator remains on the outside or isolated from his wife’s and Robert’s conversation. There are some other incidents in the story which may further suggest that the narrator is detached or not connected. When the narrator’s wife and Robert expect the narrator to say a prayer, he makes a joke. Also when Robert asks the narrator is he religious, the narrator says ‘I guess I don’t believe in it. In anything.’ This may be significant as Carver may be suggesting or highlighting to the reader that not only is the narrator disconnected from others but he may also be disconnected or detached from God.

The turning point in the story appears to be when the narrator and Robert are looking at some Cathedrals on the TV. It is obvious that despite his ability to see the Cathedrals, the narrator has difficulty in describing them to Robert and if anything he appears to be stuck for words (in describing the Cathedrals). By having the narrator stuck for words and unable to describe to Robert what a Cathedral looks like, Carver may be suggesting that the narrator, at least symbolically, is also blind. This may be important as previously the reader sensed that the narrator viewed himself as superior in some ways to Robert, due to the fact that he can see and Robert can’t.

This sense of equality between the narrator and Robert is explored near the end of the story. Both men are sitting on the ground (same level) and the narrator has his eyes closed, which in some ways mirrors Robert’s blindness. It is also interesting that through Robert’s encouragement, the narrator is able to draw the Cathedral. It is also at this stage, as the narrator is drawing a Cathedral that the reader suspects that both the narrator and Robert are connecting in some way. It may also be significant or symbolic that Carver uses the cannabis as a means of connecting both men. Some critics suggesting that it represents a communion between Robert and the narrator.

Symbolically the Cathedral that the narrator draws is also significant. A Cathedral is a place for people to go and worship, to connect with God. By drawing the Cathedral the narrator is in some ways also making a connection. For the first time he appears to be able to see. There is also a sense of irony at the end of the story. The narrator’s eyes are closed and he is being led by a blind man, yet he is able to see. Carver never explains what it is the narrator sees, but there is the sense that he has found a connection and is no longer detached or isolated.

See Also:

• Careful by Raymond Carver
• Where I’m Calling From by Raymond Carver
• The Train by Raymond Carver
• A Small, Good Thing by Raymond Carver